It is a call to be prepared to live with the consequences of one’s decisions and take responsibility because what has been done cannot be undone. In other words, in life, people have to choose one option over the other and stick to their choices no matter how the future turns out. The stanza also has subtle regret of the inability to travel both roads at the same time. When a person makes a decision and settles on a certain path in life, it leads to another decision and on to another path, thus there is no coming back. This realization symbolizes real-life occurrences. However, he immediately realizes the futility of his thinking and regrets, “Yet knowing how way leads on to way/ I doubted if I should ever come back” (Lines 14-15). The narrator hopes to come back in the future and travel the other road perhaps to explore what lies ahead. In the opening of stanza three, the speaker recalls that both roads equally lay untraveled, and thus he took one path and saved the “first for another day” (Line 12). Procrastination is a common human character trait and the speaker in this poem is not spared from it, hence the indecision at the end of the second stanza. Nevertheless, the speaker is yet to decide because both roads are “worn…about the same” (Line 10). However, the metaphor of a less traveled road indicates that most people are unwilling to break away from the norms and the status quo. This path symbolizes the hard decisions that people have to make in life. The reader makes an informed guess that the speaker has taken the road less traveled because it is “grassy and wanted wear” (Line 8). In Line 7, the speaker uses the word “perhaps” as a continuation of the theme of the uncertainty of life. This assertion underscores the need to consider one’s choices and realize that once a decision is made, there is no turning back. The narrator takes the other road, but it is “just as fair” (Line 6). The second stanza ushers the reader into the realm of decision-making in life. The last line is a metaphor for human beings’ inability to foretell the future with certainty hence, no matter which road is taken, there will be challenges. Unfortunately, the roads “bent in the underground” (Line 4), an indication that there are no guarantees in life. This line also carries some level of procrastination because the speaker wants to see what lies ahead of each path before making a choice. Therefore, he stands at the junction and looks “down one as far as I could” (Line 3), which symbolizes the difficulty of preferring one decision over the other. The two diverging roads symbolize choices in life and Frost quickly adds that unfortunately, he “could not travel both” (Line 2), which is an expression of curiosity about life choices and, at the same time, regret that the speaker is limited in his decisions and the inability to know what lies ahead. The first line ends with a metaphor – “a yellow wood”, which hints that the setting of the poem is in the forest, most probably during the fall, a season of change or transition – the inevitability of life. The speaker in the poem is traveling down a road and comes to a junction with two roads diverging “in a yellow wood” (Line 1) and he stands there contemplating which road to take. The opening stanza introduces the reader to the inevitability of change and decision-making in life. Frost uses symbolism and metaphor to warn people about the importance of making the right choices in life. This understanding calls for careful consideration when making important decisions in life because once a choice has been made, there is no going back. As such, if the wrong choice is made, the decision-maker has to live with the consequences therein. The poet takes the reader through a journey of emotional turmoil trying to make the right decision because the path chosen defines the future and life’s destination. However, the narrator does not know what lies ahead, thus any choice can be good or bad. The speaker arrives at a junction on a road and he has to decide which route to take. The title captures the attention of the reader by arousing curiosity to find out about this road that is not taken, and ultimately, the poem addresses this issue by talking about the road and its implications in life. The poem has a rigid rhyme scheme of ABAAB with four stanzas each with five lines. In his ambiguous poem “The Road Not Taken”, Robert Frost speaks about life choices and how critical decisions shape one’s life in the long run, or, perhaps, forever.
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